Treatment
For the treatment, I plan a continuous one-shot sequence that moves fluidly across multiple scenes.I want the camera to travel through different environments, shifting between reality and strange, dreamlike spaces.
This motion video is inspired by the stop-motion film Coraline. When I first watched it, it spoke directly to the fear and curiosity I felt as a kid. I want to capture that contrast: the magical and eerie atmosphere that defines the film.My goal is to blend all these moods together and build a world that feels strange yet beautiful.
I always imagined other worlds and what might exist beyond what I could see.
This motion video is inspired by the stop-motion film Coraline. When I first watched it, it spoke directly to the fear and curiosity I felt as a kid.
The stop-motion style, with its hand-crafted textures, felt playful and cute, yet the story itself was dark and scary. That contrast between wonder and fear really fascinated me, and it’s one of the reasons I chose this film as inspiration.
For the treatment, I plan a continuous one-shot sequence that moves fluidly across multiple scenes.I want the camera to travel through different environments, shifting between reality and strange, dreamlike spaces.
I designed multiple scenes, refining composition and lighting as the camera evolved to create a cohesive, cinematic flow.
Credits :
Mix Sun: Concepting, World Building, Character Animation, Animation, Post-Production
Yika Yan: Concepting, World Building, Animation
Julia Fu Tsz Yan: Sound Design
Programs: Cinema 4D, Redshift, After Effects, Illustrator, Nomad, Photoshop